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The 2012 film *Prometheus*, directed by Ridley Scott, serves as both a prequel and a spiritual successor to his iconic 1979 sci-fi horror film *Alien*. One of the most intriguing and mysterious aspects of *Prometheus* is the series of ancient murals and frescoes scattered throughout the film’s narrative. These paintings, particularly the so-called "Prometheus Alien Mural," raise more questions than they answer, intertwining the origins of humanity, the Engineers, and the horrifying xenomorph-like creatures that would later become a central focus of the *Alien* franchise.
One of the most fascinating of these murals is a depiction of a xenomorph-like figure, which is shown in a god-like or Christ-like posture. This image is enigmatic, laden with symbolic meaning, and deeply connected to the larger narrative of the film. In this article, we will delve into the significance of the *Prometheus* alien mural, exploring the connection between the Deacon, the xenomorph, and the Engineers, as well as the implications of the mural for the *Alien* universe.
The Prometheus Xenomorph Mural
The mural in question appears in the film during a pivotal scene in the alien temple on the moon LV-223, where the crew of the *Prometheus* explores the remnants of the Engineers’ ancient civilization. The mural is notable for its depiction of a humanoid figure with an elongated head, a biomechanical aesthetic, and features that resemble the xenomorph, the infamous creature from the *Alien* franchise.
The most striking feature of the mural is the almost religious representation of the figure. The posture and framing of the creature evoke imagery of Christ, crucified and suspended, arms outstretched, implying that the xenomorph-like being may be a deity or some higher being to the Engineers. This suggests that the xenomorph might not just be a biological weapon or an incidental creation; instead, it could represent a deeper, more metaphysical symbol within the Engineers’ understanding of life and death.
Some have suggested that the mural serves as a visual metaphor for the birth of the xenomorph as an evolutionary "god" or apex predator. The xenomorph-like creature could be seen as the product of the Engineers' experimentation, a being of destruction and rebirth, aligning with themes of creation, sacrifice, and destruction that resonate throughout *Prometheus*.
Deacon vs. Xenomorph
The *Prometheus* alien mural not only hints at the origins of the xenomorph but also establishes a connection with the mysterious creature known as the Deacon. The Deacon is a newly introduced creature in the *Prometheus* mythology, and its role in the broader *Alien* narrative is an important one.
In the film, the Deacon emerges at the very end of *Prometheus*, following the tragic birth of the creature from the mutated Engineer. The Deacon’s design shares several similarities with the traditional xenomorph, including the elongated head, the smooth biomechanical exterior, and the absence of visible eyes. However, the Deacon is distinct in certain ways, notably in its more slender and less aggressive form compared to the fully developed xenomorphs in later *Alien* films.
The Deacon is an early iteration of the xenomorph, a precursor to the more familiar creatures seen in the *Alien* franchise. Its appearance suggests that the Engineers had been experimenting with the black goo—an enigmatic substance that plays a crucial role in *Prometheus*—and that the Deacon is the product of these experiments. The Deacon is a harbinger of the xenomorphs to come, showing how the Engineers’ experiments in creating life can lead to monstrous consequences.
In terms of the mural, the figure depicted could be seen as the progenitor of the Deacon, an entity that serves as the first step in the evolution of the xenomorph-like creatures. This connection between the Deacon and the mural suggests that the Engineers’ creation was an attempt to birth a new form of life, one that would eventually evolve into the more iconic xenomorphs seen in later films.
Xenomorph in Prometheus
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prometheus alien mural - mural in prometheus